I work at the intersection of visual development, production design, and technical visualization, helping projects shape their visual language and translate ideas into coherent, production-ready worlds.
Over the past years I have collaborated on more than one hundred projects across film, television, commercials and visual storytelling. My work often sits between disciplines, connecting creative intent with practical execution through concept development, visualization, and design direction.
Rather than focusing on a single role, my practice moves across different stages of the process: from early visual exploration and narrative planning to the coordination of visualization workflows and the translation of design ideas into buildable environments.
I see visual development not simply as illustration, but as a thinking tool for filmmaking. Images, models, and visualizations help directors, designers, and producers understand spatial logic, narrative rhythm, and the practical implications of creative decisions. Because of this, my work frequently involves guiding processes rather than only producing images. I help define visual intent, structure visualization pipelines, and ensure coherence between concept design, production design, and technical implementation. This approach allows creative teams to move fluidly between design, storytelling, and production constraints without losing sight of the larger vision.
In parallel to my independent practice, I lead and collaborate with VAD Studio, where these roles expand into a studio-scale workflow involving multiple artists and technical specialists. Check us out at www.vadvisuals.com Through this work I contribute both as a creative director and, when needed, as a hands-on visual developer, supporting projects that require focused design exploration or visualization.
My experience includes collaboration with production designers, directors, cinematographers, VFX teams, and construction departments, often working in environments where digital design, real-time visualization, and physical production intersect.
Check my IMDB page here
I am particularly interested in projects where visual thinking plays a central role in shaping narrative worlds and where creative direction and technical processes need to evolve together. If you want to see more specific samples of my work, please do not hesitate to contact me.
Outside of production work, I continue to explore traditional painting and sculpture as a way of maintaining a direct relationship with material, form, and visual intuition.
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